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Vivaldi wrote several tempesta di mare concertos.
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Telemann wrote a secular cantata La Tempesta ( The Storm), TWV 20:42, after an Italian libretto by Metastasio. For instance operas like Marin Marais' Alcyone contained famous storm scenes. Giving a musical impression of a storm was a popular theme in baroque music. The La tempesta di mare name for the concerto is given in the score. The first publication of the concerto, included as No. 1 in Vivaldi's Op. 10, VI Concerti a Flauto Traverso, was around 1728 in Amsterdam, by Michel-Charles Le Cène. RV 433 was conceived as a concerto for transverse flute in D. Vivaldi's contemporaries and predecessors such as Purcell, Bach and Handel featured the flute ( traverso and/or recorder) significantly in their works. Vivaldi had an extensive influence on the concerto genre, helping to pioneer the structure, expanding the boundaries of the genre, and showing that any instrument could have a concerto. He also wrote ensemble concertos (concerto grosso and/or chamber concerto), where three or more soloists participate, which number over 30 written. Solo instruments that Vivaldi wrote concertos for include violin, bassoon, cello, oboe, viola d'amore, flute and mandolin.
![vivaldi flauto traverso vivaldi flauto traverso](https://www.stretta-music.com/media/images/587/140587_detail-03.jpg)
Vivaldi helped to bring the concerto to a mainstream form, not only by expanding on ritornello form, but by emphasizing the slow movements of concertos, which were in a two part binary form. La tempesta di mare may also refer to the violin concerto with the same name published in the same 1725 edition as the Four Seasons: this is however a different composition than the three flute concerto variants. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from which Vivaldi derived the concerto grosso RV 570. 10 by Antonio Vivaldi, published in the late 1720s.
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